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Pocket 4k Vs Alexa Mini Vs UMP

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  • #16
    John,
    I suppose you shot this? I wonder how much you are/were involved in the CC / grading process?

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    • #17
      Originally posted by polaroid22 View Post
      Ever tested the rokinons/samyangs as well? Colors on the nokton look better though in my opinion, and 0.95 is indeed soft, but it does add some character to the shots I feel. Not for every shoot, but for some arty work it sure works.
      I just recently got the SLR M 25mm as well and it's really nice 1.2 to 2 - better than my old Voigt. And it's much better wide open. Soft but quality soft

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      • #18
        Originally posted by stip View Post
        John,
        I suppose you shot this? I wonder how much you are/were involved in the CC / grading process?
        I ahot this yes.

        But promos do NOT consult at all on CC. They do their own thing. They don’t even look at my LUTs. They just take the ungraded footage (in this case ProRes 1920) and cut promos before the show is even edited. This is why you often see shots in promos and trailers that don’t make the final show.

        They do their own grade. Sometimes they don’t. I’ve seen shots that aren’t graded go to air in promos.

        JB

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        • #19
          Originally posted by polaroid22 View Post
          Ever tested the rokinons/samyangs as well? Colors on the nokton look better though in my opinion, and 0.95 is indeed soft, but it does add some character to the shots I feel. Not for every shoot, but for some arty work it sure works.
          I liked the noktons build and ability to close focus as well. But parted with them some years ago moving to full frame.

          Iv’e not really been interested much in the samyangs/ Roks. They always seem
          kind of bland and boring to me. The SLR magic’s are better wide open in the fast primes. The voights just go soft and mushy in a not very good way. The SLR magic’s have some personality.

          JB

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          • #20
            Originally posted by John Brawley View Post
            I ahot this yes.

            But promos do NOT consult at all on CC. They do their own thing. They don’t even look at my LUTs. They just take the ungraded footage (in this case ProRes 1920) and cut promos before the show is even edited. This is why you often see shots in promos and trailers that don’t make the final show.

            They do their own grade. Sometimes they don’t. I’ve seen shots that aren’t graded go to air in promos.

            JB
            Very interesting, thanks for the insight!

            Comment

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