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Robie Williams shot with BMC in PoRes

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  • Robie Williams shot with BMC in PoRes

    My friend James Tonkin did a nice shot with instant turnaround an delivery yesterday.

    Blog: http://frankglencairn.wordpress.com/

  • #2
    This is GREAT! What I love about it is that it's not in and out in and out focus!!!!!! Yes, extreme DOF is missing. But there are shots with narrow DOF (details of clothing). But what makes this look like cinema is..... DYNAMIC RANGE and beyond that, a wonderful palette of color and gradation. And were looking at Prores and at 360p! Who knew???? To me its the start of a whole new look with this camera but that familiar cinema emotion.
    Thank for posting this!!!!! The first I've seen of real life shooting with outstanding results. I was sold on the camera before, now Im just fucking eager (excuse my language. Just no other way I can say it)>

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    • #3
      Would loved to have seen this in a larger size. Why the low resolution?
      https://www.facebook.com/media/set/?...3301810&type=3

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      • #4
        That's great. Thanks for the link. What lenses did he shoot with? Would love to see it in 1080p...

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        • #5
          "Instant turnaround" huh? Did he shoot 709 or FILM? Gr8 job!

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          • #6
            Encouraging to see this type of project. I'm personally interested in using Prores formats for shoots like this with rushed or ASAP deadlines-
            and this video suggests it can be done, presumably much more efficiently than with DSLRs.

            Can you talk about how this was shot? Basically how camera was configured for handheld/ moving shots/ etc. I saw on the blog that you said handheld was a challenge so wondering what was done for shooting this.

            Also any chance at seeing a larger size or vimeo version sometime?

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            • #7
              As I said, this is not my video, so you might want to ask James.
              He's over at the BM forum.
              Blog: http://frankglencairn.wordpress.com/

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              • #8
                thanks for sharing this as I've been wanting to see bmc prores
                J.Davis
                jdMAX.com

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                • #9
                  Surely he doesn't have 3... What are the other camera for the presentation portion, they seem to play well together.

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                  • #10
                    I guess a FS100 and a 700
                    Blog: http://frankglencairn.wordpress.com/

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                    • #11
                      someone needs to inform this guy that its ok to post higher than 480p on youtube!

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                      • #12
                        Please upload to Vimeo with download option available!
                        Film Director
                        enricoatwork.com

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                        • #13
                          Sometimes I just can't get beyond the content.
                          My stomach just can't take it.

                          Guess, I'll just have to look at other footage in order to appreciate quality.
                          If I wanted my films to look like the real world I'd buy a video camera.

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                          • #14
                            Originally posted by yoclay View Post
                            Guess, I'll just have to look at other footage in order to appreciate quality.
                            Let's welcome us to the digital democratization, where we can see the best and the worse through the same medium.

                            If I hadn't seen better, outstanding, previous footage of the BMCC. I would say that these types of samples posted at this
                            resolution causes more harm than good to the early production release of the BMCC, contributing to miss inform potential buyers.

                            Just the selection of youtube, for hosting the reel (the most automatically compressed video host in the planet) is probably a reason for the amount of alias (blocking side effect in these footage).
                            Beside the compression level, I can see that motion blur present can be worse than the GH2, probably, because of the lock of highest frame rate than 30. This is going to be or a challenge or a limitation depends in the cinematographer and the film genre.

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                            • #15
                              The motionblur you get from 24 FPS and a 180 deg. shutter worked very well for over 100 years - why should that become suddenly a "limitation"?

                              Frank
                              Blog: http://frankglencairn.wordpress.com/

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