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  • #46
    I think Liam was referring to the slow motion technique employed here. I could be wrong.
    Darren Scott
    Freelance Director/Director of Photography


    https://vimeo.com/jambredzvisions/videos

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    • #47
      This is what I saw that made me grab the Canon 16-35.

      https://vimeo.com/59843331 - Pacifica Pier by Marlon Torres
      Push for greatness. Live to inspire.

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      • #48
        "This is what I saw that made me grab the Canon 16-35."

        I see what you mean. I could live with that. Very solid, crisp and cinematic. Only drawback is it's not anamorphic. Is there any anamorphic option yet that could work on a feature production?
        Filmmaker - Author
        https://jgiambrone.wordpress.com/

        Youtube

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        • #49
          Just found these on vimeo. Some good looking stuff!

          https://vimeo.com/62858367

          https://vimeo.com/62982559

          NSFW: https://vimeo.com/62674498

          https://vimeo.com/62819168 (could have used some grading IMO, but you can see the potential there)

          https://vimeo.com/62777907

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          • #50
            My first test with the Blackmagic Cinema Camera. I ventured out in my neighborhood of East Austin at magic hour to see what I could get out of this amazing camera. Everything was show in 2.5K RAW and graded in DaVinci Resolve. I played around in a couple of shots with using Juan Melera's Kodak Film LUT (juanmelara.com.au)
            Lenses: Tokina 11-16, Rokinon Cine 85mm
            Music: Hanan Townshend - "Marina's Theme" from "To the Wonder" soundtrack

            https://vimeo.com/64143662
            Kyle Osburn
            director + cinematographer
            kyleosburn.com
            @kyleoz

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            • #51
              Here's a PSA I shot with two original BMCCs. It's for a non-profit called AnimalsAsia, and features some rock stars you might recognize from Guns 'n Roses, etc.

              Shot in ProRes with three generic 600-LED light panels, Canon 28-135 and a Sigma 18-200. Cut in Premiere Pro CS6, grading with Magic Bullet Looks.



              The LED lights are harsh, looking to get some kind of diffusion, but none exists that I know of to attach, so I'll have to rig something up.

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              • #52
                And here's an EPK I did for a female dance act. Did a very colorful and bold color treatment with Magic Bullet Looks. Amazing how much color you can pull out of the footage, when it looks so dull in Film Mode.

                The full-stage wide shots were shot on a 7D with a Tokina 11-16, all other footage was shot on the BMCCs.

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                • #53
                  Nicely done, photography and editing ( good timing )

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                  • #54
                    Originally posted by rawCAM35 View Post
                    Nicely done, photography and editing ( good timing )
                    Thanks, it was a fun project. Loving the BMCCs. The Wooden Camera cages make them MUCH easier to shoot hand-held because they've got little curves that form to your hands, and the extra frame around the cameras give you something to hold on to. Highly recommended.

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                    • #55
                      Test with 4 lenses

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                      • #56
                        Were those 16mm lenses?

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                        • #57
                          Yes, they're Super 16mm lenses except Nikon which's FF SLR lens.

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                          • #58
                            http://vimeo.com/80294710



                            Shot using an Angenieux 17.5-70mm 2.2 PL
                            Graded with FIlmconvert
                            Denoised with NeatVideo
                            Sharpened in post
                            Last edited by Amoore; 11-26-2013, 02:24 PM.

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                            • #59
                              The Only Choice Shot on the BMCC & BMPCC
                              Best

                              Christopher Califano

                              DOP/Director
                              www.christophercalifano.com

                              "Try not. Do or do not. There is no try."

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                              • #60
                                Here's my new reel with some BMCC footage thrown in. Can you spot it?
                                Kyle Osburn
                                director + cinematographer
                                kyleosburn.com
                                @kyleoz

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