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  • #16
    Originally posted by JanFredriksson View Post
    Thank you, JLdp!

    If you look at this video from Mattias, he obviously properly exposed the interior without over-exposing the exterior. How was this done?
    https://youtu.be/l6pdBhdDYHk?list=PL...YVchztKCA1&t=7

    Thank you again!
    Mattias Doesn't actually shoot his own stuff.
    It is dropped off for him by a UFO that lands in a corn field near where he lives. He just goes out there once every three days and picks it up.
    He just adds the narrations.
    Obviously it's a mutually beneficial arrangement they have.
    Last edited by DPStewart; 04-12-2016, 12:15 AM.
    Cameras: Blackmagic Cinema Camera, Blackmagic Pocket Camera (x2), Panasonic GH2 (x2), Sony RX100 ii, Canon 6D, Canon T2i,
    Mics: Sennheiser, AKG, Shure, Sanken, Audio-Technica, Audix
    Lights: Every Chinese clone you can imagine

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    • #17
      Jan, When you load RAW DNG footage into Davinci, it will automatically apply the "Rec709" LUT to the raw footage, this can be changed in the raw tab settings on the bottom left of the screen, (or for all clips being imported by using the settings)

      if you havent changed this setting, then automatically resolve has added contrast and color information to the raw file, (even making the image clip) the thing you want to do is make sure Davinci reads the raw file as "film" mode and then you can Grade from scratch, from as close to a pure raw image as possible. I know i havent explained clearly how to change the setting, but there are other threads here that will explain changing from the default "rec709" to "film" on the Raw file tab, so you can use all the information from the image, and not start from a boosted contrast look.

      This wont negate the need for proper balanced lighting. But i just want to be sure you are in full control of how you are seeing the image on screen in Davinci so we can rule out the whole rec709 contrast stuff. Thanks!
      Forrest Schultz
      Atlas Lens Co.
      YouTube///Vimeo

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      • #18
        Originally posted by DPStewart View Post
        Mattias Doesn't actually shoot his own stuff.
        It is dropped off for him by a UFO that lands in a corn filed near where he lives. He just goes out there once every three days and picks it up.
        He just adds the narrations.
        Obviously it's a mutually beneficial arrangement they have.
        Thanks, Stewart! That adds up!

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        • #19
          Originally posted by Revdesign Industries View Post
          Jan, When you load RAW DNG footage into Davinci, it will automatically apply the "Rec709" LUT to the raw footage, this can be changed in the raw tab settings on the bottom left of the screen, (or for all clips being imported by using the settings)

          if you havent changed this setting, then automatically resolve has added contrast and color information to the raw file, (even making the image clip) the thing you want to do is make sure Davinci reads the raw file as "film" mode and then you can Grade from scratch, from as close to a pure raw image as possible. I know i havent explained clearly how to change the setting, but there are other threads here that will explain changing from the default "rec709" to "film" on the Raw file tab, so you can use all the information from the image, and not start from a boosted contrast look.

          This wont negate the need for proper balanced lighting. But i just want to be sure you are in full control of how you are seeing the image on screen in Davinci so we can rule out the whole rec709 contrast stuff. Thanks!
          Thanks a lot, Forrest!
          I'll try it out ASAP.

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